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https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/2bc39501-5086-43e7-81c8-c8663d955383/Headshot_2021_2a.png About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1f6ee830-d648-49a8-a850-a59ce5df4e0d/Bandcamp_Button_1.jpg https://www.kevenn.com/marblecities daily 0.75 2024-06-18 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/608f5bcf-077a-4451-83ef-f5080fc99edd/IMG_3486.jpg Marble Cities https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333720346-6CQWGPYQG0ZI70Q3ADDE/actress_kevenn.jpg Marble Cities The Actress character was a challenge to come up with a look for. She was described as a woman hasn't found who she is. But things started to come into view once I started to talk with the actual actress who played her. She felt as though this character would be represented by sand. I drew her and actually ended up making an hour glass necklace for her to wear (courtesy of my Scrabble set). However, there was a <HUGE amount of movement in the show, and the necklace, particularly for this character, would be a likely hazard, and was therefore cut. I was also told to look to Zooey Deschanel in the movie "Winter Passing" for an idea of where to go with this character, and she looked super tired in many shots for that movie. We used a red right under her eyes to give her a bloodshot appearance. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/a00b6cc7-21b2-4651-bee6-d644334aef1e/IMG_3401.jpg Marble Cities https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333721645-J7JJIDD9EJ3L8EV9O445/actress_2.jpg Marble Cities The Actress character was a challenge to come up with a look for. She was described as a woman hasn't found who she is. But things started to come into view once I started to talk with the actual actress who played her. She felt as though this character would be represented by sand. I drew her and actually ended up making an hour glass necklace for her to wear (courtesy of my Scrabble set). However, there was a <HUGE amount of movement in the show, and the necklace, particularly for this character, would be a likely hazard, and was therefore cut. I was also told to look to Zooey Deschanel in the movie "Winter Passing" for an idea of where to go with this character, and she looked super tired in many shots for that movie. We used a red right under her eyes to give her a bloodshot appearance. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/e7dd5597-98f2-4a5a-ab84-588c7c5dcac3/IMG_3499.jpg Marble Cities https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333722346-6MFCTVGD7CK1SGTYYXA9/actress_1.jpg Marble Cities The Actress character was a challenge to come up with a look for. She was described as a woman hasn't found who she is. But things started to come into view once I started to talk with the actual actress who played her. She felt as though this character would be represented by sand. I drew her and actually ended up making an hour glass necklace for her to wear (courtesy of my Scrabble set). However, there was a <HUGE amount of movement in the show, and the necklace, particularly for this character, would be a likely hazard, and was therefore cut. I was also told to look to Zooey Deschanel in the movie "Winter Passing" for an idea of where to go with this character, and she looked super tired in many shots for that movie. We used a red right under her eyes to give her a bloodshot appearance. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/316317e7-4089-463c-8a2b-dc2866507030/mc_spell.jpg Marble Cities https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333801845-CX1U65H3E6UX9WBFE5X6/magician_kevenn.jpg Marble Cities The Magician was my favorite costume in the show. This was one character who I could push the boundaries with and not have to have him look so "everyday normal." The raven was used as a totem for this character, hence the raven and feather tattoos. And before that, I was given the direction that he should be in all black. One of the inspirations for the character was writer Grant Morrison. I took other references from punk rock, fetish wear, and Wonder Woman. Each of the bracelets on the wrist has silver on them. While the realized costume didn't posess a silver cuff like the rendering, there was still some silver on each wrist. There was gold across the chest. The torso below the chest had criss-crossing laces that tied at the bottom and hung at the sides like lassos. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/fd24de17-554d-475a-88aa-3508be76ffd4/IMG_3587.jpg Marble Cities https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333720145-996079FZQALSOXIQDVLX/magician_1.jpg Marble Cities The Magician was my favorite costume in the show. This was one character who I could push the boundaries with and not have to have him look so "everyday normal." The raven was used as a totem for this character, hence the raven and feather tattoos. And before that, I was given the direction that he should be in all black. One of the inspirations for the character was writer Grant Morrison. I took other references from punk rock, fetish wear, and Wonder Woman. Each of the bracelets on the wrist has silver on them. While the realized costume didn't posess a silver cuff like the rendering, there was still some silver on each wrist. There was gold across the chest. The torso below the chest had criss-crossing laces that tied at the bottom and hung at the sides like lassos. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/8f887ce4-22aa-44de-92e1-8f6cb3285578/IMG_3409.jpg Marble Cities https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333718244-0IEEQ5ENF2ED8CIOF3K8/magician_2.jpg Marble Cities The Magician was my favorite costume in the show. This was one character who I could push the boundaries with and not have to have him look so "everyday normal." The raven was used as a totem for this character, hence the raven and feather tattoos. And before that, I was given the direction that he should be in all black. One of the inspirations for the character was writer Grant Morrison. I took other references from punk rock, fetish wear, and Wonder Woman. Each of the bracelets on the wrist has silver on them. While the realized costume didn't posess a silver cuff like the rendering, there was still some silver on each wrist. There was gold across the chest. The torso below the chest had criss-crossing laces that tied at the bottom and hung at the sides like lassos. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/6bb2921c-7970-46c1-9185-29ad8205aae4/IMG_3469.jpg Marble Cities https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333720747-2V9MMUPJ4P23HO8FD0HN/prince_kevenn.jpg Marble Cities The Prince was a character for whom I looked at Caroline Kennedy for visual inspiration and style. Since the show was occurring in the autumn of the year, I wanted to make sure she was in seasonal colors, showing the character's attention to detail. I wanted to leave the jacket open to create a vertical blocking with the top underneath to recall a tower, where the character resides. The challenge would be in finding the RIGHT pair of pants, as this character had a considerable amount of movement and choreography in the show that had to be accommodated. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/0b32c45d-0585-48bb-81f8-c61d73246f77/IMG_3660.jpg Marble Cities https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333721047-JFHPUCC4VIZSAVAFUTMR/prince_1.jpg Marble Cities The Prince was a character for whom I looked at Caroline Kennedy for visual inspiration and style. Since the show was occurring in the autumn of the year, I wanted to make sure she was in seasonal colors, showing the character's attention to detail. I wanted to leave the jacket open to create a vertical blocking with the top underneath to recall a tower, where the character resides. The challenge would be in finding the RIGHT pair of pants, as this character had a considerable amount of movement and choreography in the show that had to be accommodated. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/446391c8-63a0-411d-8aba-b4e79a2f218d/IMG_3669.jpg Marble Cities https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333721545-XG1IJQT9CC4M6KSMVDTM/prince_2.jpg Marble Cities The Prince was a character for whom I looked at Caroline Kennedy for visual inspiration and style. Since the show was occurring in the autumn of the year, I wanted to make sure she was in seasonal colors, showing the character's attention to detail. I wanted to leave the jacket open to create a vertical blocking with the top underneath to recall a tower, where the character resides. The challenge would be in finding the RIGHT pair of pants, as this character had a considerable amount of movement and choreography in the show that had to be accommodated. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/91629ca5-5f51-4f2b-9503-b695073b9eab/IMG_3718.jpg Marble Cities https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333724645-WOYGGJJA7G37MTYXW2N0/advisor_kevenn.jpg Marble Cities The Advisor was a man who had his hand in multi-billion dollar deals. Of course he's going to be in a suit. I felt a gray suit was the direction to go, and luckily the actor playing him agreed. His totem was a wolf, and so I drew the rendering with a small wolf pendant at the left breast in hopes that I could find something similar to the drawing. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/8b5b58c1-6362-4c25-bdba-262380ee95aa/295817_10151545620514741_606056282_n.jpg Marble Cities https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333725245-T49ZO2BJDPYYRXHRWDEY/advisor_1.jpg Marble Cities The Advisor was a man who had his hand in multi-billion dollar deals. Of course he's going to be in a suit. I felt a gray suit was the direction to go, and luckily the actor playing him agreed. His totem was a wolf, and so I drew the rendering with a small wolf pendant at the left breast in hopes that I could find something similar to the drawing. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333723145-1ZHF7IKCF0YMZ3V6QSL1/advisor_2.jpg Marble Cities The Advisor was a man who had his hand in multi-billion dollar deals. Of course he's going to be in a suit. I felt a gray suit was the direction to go, and luckily the actor playing him agreed. His totem was a wolf, and so I drew the rendering with a small wolf pendant at the left breast in hopes that I could find something similar to the drawing. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333723745-8GCS09YAZ5CKE9JESA6M/knight_kevenn.jpg Marble Cities The Knight was a former pilot for the United States Air Force who became a landscaper. My father was a career Air Force officer, and while I was in college, I worked summers at the local Air Force Base in offices alongside the service men and women, so I've had a lot of exposure to the Air Force culture and appearance. One thing that I wanted to make sure of was that his hair was more regulation-approved. Most of the Air Force men I saw didn't have buzz cuts like the other branches of the service. They tended to have hair that was a little longer and combed, but still kept short off the ears and neck. I wanted to reflect the Air Force blues in the costume with the dark blue t-shirt and the light blue bandana that he uses in the show. I also wanted the khaki pants to be on the gray side, and the hoodie to be gray to serve as a call back to a knight's plated armor, while still being something that a landscaper would wear, and also making him not stand out too much as a "character," because the actors mingled with the audience in the lobby before the show started. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333717946-YE3O4GFXF1NVKWRG0LMS/knight_1.jpg Marble Cities The Knight was a former pilot for the United States Air Force who became a landscaper. My father was a career Air Force officer, and while I was in college, I worked summers at the local Air Force Base in offices alongside the service men and women, so I've had a lot of exposure to the Air Force culture and appearance. One thing that I wanted to make sure of was that his hair was more regulation-approved. Most of the Air Force men I saw didn't have buzz cuts like the other branches of the service. They tended to have hair that was a little longer and combed, but still kept short off the ears and neck. I wanted to reflect the Air Force blues in the costume with the dark blue t-shirt and the light blue bandana that he uses in the show. I also wanted the khaki pants to be on the gray side, and the hoodie to be gray to serve as a call back to a knight's plated armor, while still being something that a landscaper would wear, and also making him not stand out too much as a "character," because the actors mingled with the audience in the lobby before the show started. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/6d529a67-4af0-4032-b045-67c720c0ad05/550930_10151545620504741_760626858_n.jpg Marble Cities photo by Frank J Lanza https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333717645-3VU23TUUTIH2ZEEMWSRY/knight_2.jpg Marble Cities The Knight was a former pilot for the United States Air Force who became a landscaper. My father was a career Air Force officer, and while I was in college, I worked summers at the local Air Force Base in offices alongside the service men and women, so I've had a lot of exposure to the Air Force culture and appearance. One thing that I wanted to make sure of was that his hair was more regulation-approved. Most of the Air Force men I saw didn't have buzz cuts like the other branches of the service. They tended to have hair that was a little longer and combed, but still kept short off the ears and neck. I wanted to reflect the Air Force blues in the costume with the dark blue t-shirt and the light blue bandana that he uses in the show. I also wanted the khaki pants to be on the gray side, and the hoodie to be gray to serve as a call back to a knight's plated armor, while still being something that a landscaper would wear, and also making him not stand out too much as a "character," because the actors mingled with the audience in the lobby before the show started. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333722945-7I0H9CK9ZE9FTF4FDAWC/servant_kevenn.jpg Marble Cities The Servant character was another big challenge for me in this show, as evidenced by how much the look changed from the rendering to the actualized version. Sometimes you just need to see how things look on the actor while they're moving in the show. The Servant is a woman named Andrea who works for a human rights organization that works toward ending human trafficking. The actress who played her decided that her totem would be a garden. With that, I wanted to have a lot of green in her look, as well as a floral aspect. Since she was saving lives, I had originally envisioned a shawl, because it would be like a superhero cape. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333722247-49J6KFKTR5O0NNMHMYOF/servant_1.jpg Marble Cities The Servant character was another big challenge for me in this show, as evidenced by how much the look changed from the rendering to the actualized version. Sometimes you just need to see how things look on the actor while they're moving in the show. The Servant is a woman named Andrea who works for a human rights organization that works toward ending human trafficking. The actress who played her decided that her totem would be a garden. With that, I wanted to have a lot of green in her look, as well as a floral aspect. Since she was saving lives, I had originally envisioned a shawl, because it would be like a superhero cape. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333718544-EUK8EOGG9TFB5U8BRIKS/slave_kevenn.jpg Marble Cities This character was originally envisioned to be The Slave, a woman whose dreams were never going to come true and who was hired to work at the Ritual and assist in it. I thought of something similar to a caterer's uniform, which would progressively become more disheveled through the show. The director ended up wanting her to be in a darker color, and I didn't want to put her in a color that someone else was already wearing. In the interest of subverting archetypes, I felt that a dark purple was the way to go. Purple was a color that only royalty was allowed to wear at one time, but nowadays, everyone can wear purple, and it's even used in service professional uniforms. This character was originally envisioned to be The Slave, a woman whose dreams were never going to come true and who was hired to work at the Ritual and assist in it. I thought of something similar to a caterer's uniform, which would progressively become more disheveled through the show. The director ended up wanting her to be in a darker color, and I didn't want to put her in a color that someone else was already wearing. In the interest of subverting archetypes, I felt that a dark purple was the way to go. Purple was a color that only royalty was allowed to wear at one time, but nowadays, everyone can wear purple, and it's even used in service professional uniforms. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333719145-LAMGW04VA3SYAUS19IVJ/mary_1.jpg Marble Cities This character was originally envisioned to be The Slave, a woman whose dreams were never going to come true and who was hired to work at the Ritual and assist in it. I thought of something similar to a caterer's uniform, which would progressively become more disheveled through the show. The director ended up wanting her to be in a darker color, and I didn't want to put her in a color that someone else was already wearing. In the interest of subverting archetypes, I felt that a dark purple was the way to go. Purple was a color that only royalty was allowed to wear at one time, but nowadays, everyone can wear purple, and it's even used in service professional uniforms. This character was originally envisioned to be The Slave, a woman whose dreams were never going to come true and who was hired to work at the Ritual and assist in it. I thought of something similar to a caterer's uniform, which would progressively become more disheveled through the show. The director ended up wanting her to be in a darker color, and I didn't want to put her in a color that someone else was already wearing. In the interest of subverting archetypes, I felt that a dark purple was the way to go. Purple was a color that only royalty was allowed to wear at one time, but nowadays, everyone can wear purple, and it's even used in service professional uniforms. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333723845-P7VZR36N9ZG93LMTY0EZ/doctor_kevenn.jpg Marble Cities Michael Prosen brought The Doctor character to life. The physical unraveling of his character was really small - it was merely unbuttoning another button on his shirt. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333724447-XEECEU9J1RP4XKBCKVJF/doctor_1.jpg Marble Cities Michael Prosen brought The Doctor character to life. The physical unraveling of his character was really small - it was merely unbuttoning another button on his shirt. Pencil, ink, Photoshop ©Kevenn T. Smith 2012. https://www.kevenn.com/the-great-rebellion-collection daily 0.75 2024-06-21 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333679146-WN1M1W2BUPIFO7P4TY1E/pop_cellphone_cover_2.jpg The Great Rebellion Collection The Great Rebellion #1 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333663946-UU9HTNZFK9UM5QTJAKLW/rebel_hearts_1a_web.jpg The Great Rebellion Collection Rebel Hearts 1 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333664846-B91TLD8CQB23YDYFJ51B/core_rebels_web_1.jpg The Great Rebellion Collection Rebel Core https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333675345-CLA8Q6628EH0LY7ZMGQI/love_birds_web_1.jpg The Great Rebellion Collection Love Birds https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333667645-J4PNNLBTF68FWQTMFC1B/twiggets_main_three_web_1.jpg The Great Rebellion Collection The Three Main Wood Sprites 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https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333704046-LQD3G7LGOJFTPXZZ4YQH/Antigone_1.jpg Antigone - Antigone-1 (Copy) Antigone-1 "Antigone" was the very first play I did designs for in Costume Design class in school. I wanted it to be a melding of ancient Greek clothing and modern-day contemporary. When I was asked to be the costume designer for the production at Brunswick High School, I went back to that concept, and coincidentally, it was the same concept the the director, Cassandra Neumann, had invisioned for the show. Now would be the chance to bring some of the old concpets that I came up with years ago to reality. Ink, Primacolor pencil. ©Kevenn T. Smith 2012 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333780746-KKIZDRCNRVI40J2QH798/Antigone_1.jpg Antigone "Antigone" was the very first play I did designs for in Costume Design class in school. I wanted it to be a melding of ancient Greek clothing and modern-day contemporary. When I was asked to be the costume designer for the production at Brunswick High School, I went back to that concept, and coincidentally, it was the same concept the the director, Cassandra Neumann, had envisioned for the show. Now would be the chance to bring some of the old concepts that I came up with years ago to reality. Ink, Primacolor pencil. ©Kevenn T. Smith 2012 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333703446-ROOJJZB6OQSGEGG2D408/Antigone_1_Photo_1.jpg Antigone - Antigone Realized (Copy) Antigone Realized Antigone Photo: Jena Gross as a thoughtful Antigone. While I originally wanted to put her in a brown dress that was crenelated, so the color would be similar to the Antigone-2 design, the dress didn't come close to fitting. As a high school production, we were working with a minimal budget, minimal time, and minimal costume staff. The purple dress fit perfectly, and chromatically, wasn't that far away from the periwinkle of the original design. In the end, we had more garments in purple than anything else, and it worked well as a visual tie-in with Ismene and Antigone's Ladies in Waiting, that were a part of the Chorus. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333703446-ROOJJZB6OQSGEGG2D408/Antigone_1_Photo_1.jpg Antigone "Antigone" was the very first play I did designs for in Costume Design class in school. I wanted it to be a melding of ancient Greek clothing and modern-day contemporary. When I was asked to be the costume designer for the production at Brunswick High School, I went back to that concept, and coincidentally, it was the same concept the the director, Cassandra Neumann, had envisioned for the show. Now would be the chance to bring some of the old concepts that I came up with years ago to reality. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333706945-3NQBRZXKCH6R6HR8PMAE/Antigone_2_Photo.jpg Antigone - Antigone-2 Realized (Copy) Antigone-2 Realized Antigone-2 Realized Photo - Due to the brilliant direction of this production, we got to see scenes that were merely described in the text actually acted out on the upper level of the set while the events are being relayed by other characters. Antigone's return to sprinkle dirt over her brother's body was depicted, along with her subsequent arrest by the Guard. She wore this cloak over her first costume for that. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333706945-3NQBRZXKCH6R6HR8PMAE/Antigone_2_Photo.jpg Antigone "Antigone" was the very first play I did designs for in Costume Design class in school. I wanted it to be a melding of ancient Greek clothing and modern-day contemporary. When I was asked to be the costume designer for the production at Brunswick High School, I went back to that concept, and coincidentally, it was the same concept the the director, Cassandra Neumann, had envisioned for the show. Now would be the chance to bring some of the old concepts that I came up with years ago to reality. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333704646-Q39V6D9ZL6N5Q9EWWFDE/Ismene_1.jpg Antigone - Ismene_1 (Copy) Ismene_1 Ismene was envisioned as a little less "hippie" than Antigone and more "beauty queen/debutante." Ink, Prismacolor pencil. ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333712746-80RHU6E54RLEWOP5PCU3/ismene_photo.jpg Antigone - ismene_photo.jpg (Copy) ismene_photo.jpg There were a number of dresses pulled for consideration to be used for Ismene, but this one was the clear favorite, due to its delicate appearance with the florals and light fabric. Elements from the original concpet that were retained was the plural headband and the wedge heeled sandals. Ismene was excellently depicted by Alexa Maslowski. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333705453-1KI5NR7TCTCWYPJ54H9N/Haemon.jpg Antigone - Haemon (Copy) Haemon Haemon, Antigone's fiance, was envisioned as the athletic type. The trac pants, sneakers and Greek style tank-top helped to give that feel. The shirt was transparent, as a nod to the state of nudity of the ancient Greek athletes. Ink, Prismacolor pencil. ©Kevenn T. Smith https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333703845-VNRVG426FPJX9NOB7HWJ/Haemon_Photo_1.jpg Antigone - Haemon Realized (Copy) Haemon Realized Haemon Photo 1 - Haemon came closest to the original concepts design. The transparent shirt was a light blue, but had a solid backing. The shirt was also the only garment that was entirely constructed for this show. It was the first time I've ever made a garment from a pattern that I drew myself based off of measurements from the actor, Nick Earl. Photo ©Kevenn T. Smith https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333701945-F9GCSOZT56GP7YONOGZV/Haemon_Photo_2.jpg Antigone - Haemon Realized 2 (Copy) Haemon Realized 2 Another photo of Nick Earl as Haemon to show off the vertical stripe on the side of the pants. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333706645-4ZJIM6FDY0VXJDVTIBYM/Kreon.jpg Antigone - Kreon (Copy) Kreon Kreon also uses modern elements like a suit, but with classic details as well. Ink, Prismacolor pencil. ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333702354-O73MEE6G6X6X42I5XC6D/Kreon_Photo.jpg Antigone - Kreon Realized (Copy) Kreon Realized Kreon was brought to life by Rayshon Chambers. We were going to be using white t-shirts with some of the Chorus members, and I didn't want to repeat that with the King. Since he's such an angry character, I went with red instead, which I feel turned out to be a much better choice. As the suit was not property of the production, ownership and time kept us from adding details to it. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333709746-T2MPNE99XW8NX3OETB9N/Messenger.jpg Antigone - Messenger (Copy) Messenger Messenger - Originally envisioned as a raver/club kid. This was one of my favorite designs. Ink, Prismacolor pencil. ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333702645-56KCER93O7CEE350XR8W/Messenger_Photo.jpg Antigone - Messenger Realized (Copy) Messenger Realized AS is the case with many high school productions, there aren't a lot of guys who come out to audition for shows. In that case, parts like the Messenger, were casted with female actors, like Allie Bauer's depiction here. The club kid/raver look was years out of date. I leaned more toward a look that evoked a "bicycle messenger" feeling. Unfortunately, the photo doesn't show the dark purple sheen that the velvety pants had. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333710045-MT74SCML3X5UG7M2UYO9/Eurydice.jpg Antigone - Eurydice (Copy) Eurydice The translation of the Antigone that I read in school was different from the translation performed at Brunswick High School. Eurydice had a larger part (as did most characters), and ended up stabbing herself with her knitting needles. Ink, Prismacolor pencil. ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333709446-6UYQXY9KS2Z9TYP6HJN7/Eurydice_Photo.jpg Antigone - Eurydice Realized (Copy) Eurydice Realized Eurydice was played by Emily Dushek. We ended up with a more "mulberry" outfit, as opposed to lilac. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333710246-TI2L33RZ60GEHCVTVTCO/Chorus.jpg Antigone - Chorus (Copy) Chorus We were only required to design one look for the Chorus, and the text did indicate that the Chorus was older. This look really worked to achieve a visual meld of the "old and new." The blue fabric called back to togas and chitons, while the khaki pants were straight-up modern day. Ink, Prismacolor pencil. ©Kevenn T. Smith https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333707246-X9J1CLTUR5BROKBUZRLL/Senator_1_Photo.jpg Antigone - Senator 1 Realized (Copy) Senator 1 Realized In our production, the Chorus was going to be divded up into two different entities, Senators and Antigone's Ladies in Waiting. For the Senators, I definitely wanted to go back to the original design. We had a LOT of red fabric that has been donated to the school, and the set was going to be pretty neutral, chromatically, and would really help the colors of the costumes pop. As Senators, they would be tied to the king, who was also going to have red, which made it an even stronger choice. Since the two male Senators would be bringing in their own pants, and due to time and manpower constraints, the trimming on the bottom half of the outfits were left off. Here is Sean McClain as the Chorus Leader. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333707345-9HR4UA4N1R9V30ZSOF7T/Senator_2_Photo.jpg Antigone - Senator 2 Realized (Copy) Senator 2 Realized Another Senator was played by Erica Kilroy. Since there were four Senators, I thought it'd be nicer to vary the way the draping fabric laid. Two of them had the fabric cross over the chest diagonally. And with Erica, we added a gold chain to further give unique details. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333707646-YVBZS47VTRU9KDN9BYTU/Senator_3_Photo.jpg Antigone - Senator-3 Realized (Copy) Senator-3 Realized Emily Dushek not only played Eurydice, but also one of the Senators. Not pictured here, she had a gold chain that hung in the middle of the red fabric that draped from her shoulder. She had the same draping pattern as the Chorus Leader. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333708545-36MWCB9Q35MIBK7HS2UP/Senator_4_Photo.jpg Antigone - Senator-4 realized (Copy) Senator-4 realized Tyler Golias brought the total of Senators to four. He employed the same diagonal drape fit that Erica Kilroy utilized. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333709246-NYVGHOL92UW7ETE38TO1/Antigones_Ladies_Photo.jpg Antigone - Antigone's Ladies in Waiting (Copy) Antigone's Ladies in Waiting The other half of the Chorus consisted of Ladies in Waiting for Antigone. I decided to put them all in purple, the same color that Antigone and Ismene were wearing, to visually cue their allegiance. From left to right, they were Crista Constantine, Alyssa Emery as the "main" lady, Nicole Siliko, Katie Dushek, and Allie Bauer. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333710545-F8NPMCNUL7K8E7S220ZE/Guard.jpg Antigone - Guard (Copy) Guard The Guard was an example of how I wanted to design characters who weren't just thin-bodied examples of physical perfection. Visual diversity is far more interesting to me. Ink, Prismacolor pencil. ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333705646-F9D5V8GZXXFLBXHB4LMD/Guard_Photo.jpg Antigone - Guard Realized (Copy) Guard Realized Morgan Shepard brought the Guard to a comical life. I decided to repeat the use of modified t-shirts that the Senators utilized, but in a different color. We didn't have time to add trimming to the sleeve cuffs, but I almost like it better, because it keeps the Senators in a high class. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333706145-6LKJU903O8U748FOMYNQ/Tiresias_Photo.jpg Antigone - Tiresias Realized (Copy) Tiresias Realized Somehow, I totally forgot to design Tiresias, the blind seer, when I first worked on the show. Tiresias' costume was actually the first one I ended up putting together for the production. I wanted something that said "gypsy," "Moses," and "Miss Cleo" all at the same time, which were sources I could pull together more aptly since Tiresias was cast as a female, instead of a male. Tiresias was masterfully depicted by Crista Constantine. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333710845-U3Q89BFQIBZ1LBNDMFF2/Page.jpg Antigone - Page (Copy) Page In my original designs, the Page had the easiest trim design to render physically, which is what we opted to go for over the key pattern details in some of the other designs. Ink, Prismacolor pencil. ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333706445-VYHZWLEZDJU9K5ERC0Q6/Tiresias_Aide_Photo.jpg Antigone - Tiresias' Aide Realized (Copy) Tiresias' Aide Realized Nicole Siliko quickly doubled as Tiresias' Aide. I'm not sure if the part is the same as the Page in the translation that I read years ago. For her look, we had to put something togther that could be changed into quickly with a very minimal costume crew. Her ensemble was also meant to be a little more Bohemian, to tie into her relationship with Tiresias' unconventional look. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333712245-F9VS0DXPKO9A4JCL8VB2/Nurse.jpg Antigone - Nurse (Copy) Nurse In the translation that I originally read, there was a part of Antigone's Nurse. That role was not in the translation uised for the production. Ink, Prismacolor pencil. ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333710946-06IXJY0TR083H383MHKI/Antigone_2.jpg Antigone - Antigone-2 (Copy) Antigone-2 A second look was designed for Antigone for when she was imprisoned. Ink, Prismacolor pencil. ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333713146-AS8BTKDH7SRMBQVITNFN/Antigone_3_Photo_1.jpg Antigone - Antigone-3 Realized.jpg (Copy) Antigone-3 Realized.jpg For our production, Jena Gross received a cream colored Grecian gown for her costume where she would go to her tomb. Since she was supposed to marry Haemon and gave a great monologue about never being able to marry, I wanted this dress to be her wedding dress that she'd be buried alive in. The gauzy white fabric was first worn over her head as a veil. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333702845-87LJZPAXZVR1S751XBQJ/Antigone_3_Photo_2.jpg Antigone - Antigone-4 Realized.jpg (Copy) Antigone-4 Realized.jpg As the scene went on, Jena Gross' hands were needed for gesturing, and the veil would float down behind and serve as a train to the dress. When standing on the stairs, all the fabric cascading down the steps made for a gorgeous visual. Photo ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333711546-L4VA0JN02HU6R1KXOKTX/Ismene_2.jpg Antigone - Ismene 2 (Copy) Ismene 2 A second look was designed for Ismene when she was imprisoned as well. We didn't end up having a second look for Ismene in our production. Ink, Prismacolor pencil. ©Kevenn T. Smith 2012. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333703346-OZ9SI3SC9V3GYEVD4P3Z/Set.jpg Antigone - Antigone Set (Copy) Antigone Set The set used for the Brunswick High School of Antigone. Set construction was overseen by Bill Jindra. The gold fabric covering the throne was the same that we used in the trimming for many of the costumes. It was a nice tonal tie-in. Photo ©Kevenn T. Smith 2012. https://www.kevenn.com/various daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333716945-45GCK8Y7Y23T6YQ4ID89/jonathan_jeremiah_peachum.jpg Various - Jonathan Jeremiah Peachum (Copy) Jonathan Jeremiah Peachum Jonathan Jeremiah Peachum: Design for a production of Bertold Brecht’s “The Threepenny Opera” set on a space station. Ink, watercolor. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333715846-3236PI6CCSSQ2ADHN4KN/ginny_jenny.jpg Various - Ginny Jenny (Copy) Ginny Jenny Ginny Jenny: Design for a production of Bertold Brecht’s “The Threepenny Opera” set on a space station. Ink, watercolor. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333716546-CI4GEIWRCBEFX70FX7KZ/money_matthew.jpg Various - Money Matthew (Copy) Money Matthew Money Matthew: Design for a production of Bertold Brecht’s “The Threepenny Opera” set on a space station. Ink, watercolor. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333717346-DYQNJH6S6GLEJ6H2M07R/ivy.jpg Various - Ivy (Copy) Ivy Ivy: Design for Caryl Churchill’s play, “Fen.” Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333713945-0GHVTQ3DPADKUFPRFEKV/romeo.jpg Various - Romeo (Copy) Romeo Romeo: Design for a “goth vs. disco” production of William Shakespeare’s “Romeo and Juliet.” Pencil, ink, tempera, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333713646-XLMSX8859N9HWOSDH7XA/lady_capulet.jpg Various - Lady Capulet (Copy) Lady Capulet Lady Capulet: Design for a “goth vs. disco” production of William Shakespeare’s “Romeo and Juliet.” Pencil, ink, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333713446-1U7JR4GBQCFJ66AO9K7D/elmire.jpg Various - Elmire (Copy) Elmire Elmire: Design for Moliere’s play, “Tartuffe.” Ink, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333714845-3U2XMT3Q6FFUGG5HGLDZ/tartuffe.jpg Various - Tartuffe (Copy) Tartuffe Tartuffe: Design for Moliere’s play, “Tartuffe.” Ink, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333714645-HPB4SG8PYBH2T5BLMK04/yeti.jpg Various - Yeti (Copy) Yeti Yeti: Design for Eric Overmeyer’s play, “On the Verge.” Ink, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333714346-45MCC08KNXV82MSS6STO/fanny_rhinestone_gown.jpg Various - Fanny In Rhinestone Gown (Copy) Fanny In Rhinestone Gown Fanny in Rhinestone Gown: Design for Eric Overmeyer’s play, “On the Verge.” Ink, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333715345-SC818OFN0DWOR3QCV1X1/sodomati.jpg Various - Sodomati (Copy) Sodomati Sodomati: Design for Michel de Ghelderode’s play, “The Chronicles of Hell.” Ink, Prismacolor pencil, tempera. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333717145-T6IW3L9OU8MAX8D35CMI/jan_erimo.jpg Various - Jan In Erimo (Copy) Jan In Erimo Jan in Erimo: Design for Michel de Ghelderode’s play, “The Chronicles of Hell.” Ink, Prismacolor pencil. ©Kevenn T. Smith 2011 https://www.kevenn.com/thebalcony daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333695245-8Z4KR7FWQQSIDNKHO131/bishop.jpg The Balcony - The Bishop (Copy) The Bishop The Bishop: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333695945-R2KAOGRTZDO163V2LMHX/judge.jpg The Balcony - The Judge (Copy) The Judge The Judge: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333696745-4BQ3Z1KADRDZTMT5YQFB/general.jpg The Balcony - The General (Copy) The General The General: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333696045-FKJN4RMUPUS2VQR8EMU4/irma.jpg The Balcony - Irma (Copy) Irma Irma: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333696645-VP8QWAWOOE8GGDYSA346/arthur_executioner.jpg The Balcony - Arthur As The Executioner (Copy) Arthur As The Executioner Arthur as The Executioner: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333697946-1HG9JSFJ4LTTXHCPKOW4/girl_woman.jpg The Balcony - Girl/Woman (Copy) Girl/Woman Girl/Woman: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333698246-DCQZM5I4N60M8IT6V6WY/thief.jpg The Balcony - The Thief (Copy) The Thief The Thief: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333697544-5B58FB8WG0SU7GNV5Y3C/carmen.jpg The Balcony - Carmen (Copy) Carmen Carmen: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333700444-L3FBRHIHTXBUWLQ3PBBZ/irma_queen.jpg The Balcony - Irma As The Queen (Copy) Irma As The Queen Irma as The Queen: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333698846-PSB1IW8OHAKR35G08L9A/photographer.jpg The Balcony - Photographer (Copy) Photographer Photographer: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333699145-57LLKCVMZ81P4KXBGVWT/chief_police.jpg The Balcony - The Chief Of Police (Copy) The Chief Of Police The Chief of Police: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333699646-I0TD9RYQ4T8HCC3TGQJJ/court_envoy.jpg The Balcony - The Court Envoy (Copy) The Court Envoy The Court Envoy: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333699746-4K4R57V3OLPHT9NHFT00/chantal.jpg The Balcony - Chantal (Copy) Chantal Chantal: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333700345-UOOCXAYZPORGB148FGEX/roger.jpg The Balcony - Roger (Copy) Roger Roger: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333698645-1ZIE2X7RJ4Z7HUPNG44V/beggar.jpg The Balcony - Beggar (Copy) Beggar Beggar: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333701045-ABVTHI59WD5FUPU4U5D2/irma_cream_neglige.jpg The Balcony - Irma In Cream Negligepg (Copy) Irma In Cream Negligepg Irma in Cream Neglige: Ink watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333701645-NJ80TN0SYPKRLHAQGBJU/arthur_pimp.jpg The Balcony - Arthur As The Pimp (Copy) Arthur As The Pimp Arthur as The Pimp: Ink, watercolor, Prismacolor pencil. ©Kevenn T. Smith 2011 https://www.kevenn.com/themikado daily 0.75 2024-06-14 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333688446-PXZFG9LB7XV2P61BOKXB/katisha.jpg The Mikado - Katisha (Copy) Katisha Katisha: Ink, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333691044-SFIHTFTYWIOYTF2FR7PR/katisha_photo.jpg The Mikado - Katisha Realized (Copy) Katisha Realized Katisha Photo: Kimberly Eilts embodying my design as the villainess, Katisha. Photo ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333691346-FGNTHI8OFDLKWISJYTYK/yum_yum.jpg The Mikado - Yum-Yum (Copy) Yum-Yum Yum-Yum: Ink, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333691645-FQKC5ZFZIVTD6V91NYZN/yum_yum_photo.jpg The Mikado - Yum-Yum Realized (Copy) Yum-Yum Realized Yum-Yum Photo: Courtney Rioux embodying my design as the lovely Yum-Yum. Photo ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333689645-RTTAADJFR67BTOU32QQO/ko_ko.jpg The Mikado - Ko-Ko (Copy) Ko-Ko Ko-Ko: Ink, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333690246-DSGREM8YC8KQCOGC1IWR/ko_ko_photo.jpg The Mikado - Ko-Ko Realized (Copy) Ko-Ko Realized Ko-Ko Photo: Andrew Hanback embodying my design as the adversarial Ko-Ko. The director changed his mind about liking the plaid that was in the design during dress rehearsals, so a gray tunic was used instead. Photo ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333690645-Y68WJFQHDAF68T1GSOE0/pish_tush.jpg The Mikado - Pish-Tush (Copy) Pish-Tush Pish-Tush: Ink, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333693645-0VFRRL1RSBL3MNXWLMYK/pish_tush_photo.jpg The Mikado - Pish-Tush Realized (Copy) Pish-Tush Realized Pish-Tush Photo: Niall Casserly wearing my costume design for the scheming Pish-Tush, on which I hand painted the pattern on the fabric. Photo ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333694045-3XTJ4Z33MP5SQ42ARGM4/mikado.jpg The Mikado - The Mikado (Copy) The Mikado The Mikado: Ink, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333694546-64DE9WB04ADWV35WWX8Y/mikado_photo_1.jpg The Mikado - The Mikado Realized 1 (Copy) The Mikado Realized 1 The Mikado Photo 1: J.R. Rose bringing my design for the imposing Mikado to life. When the costume was brought to stage, the director decided that he no longer liked the Mikado in white, so I spray painted all the white bridal satin in the costume with silver. Photo ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333692045-3Q9R6O214JTG8JJL7PLK/mikado_photo-2.jpg The Mikado - The Mikado Realized 2 (Copy) The Mikado Realized 2 The Mikado Photo 2: Another photo of J.R. Rose as my design for The Mikado, this photo showcasing the unique sleeve design in the costume. Photo ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333692246-KXT2P1M668ZCJB9R99YJ/pitti_sing.jpg The Mikado - Pitti-Sing (Copy) Pitti-Sing Pitti-Sing: Ink, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333688046-TGTFVLWZVD78F6N3B5SP/pitti_sing_peep_bo_photo.jpg The Mikado - Pitti-Sing and Peep-Bo Realized (Copy) Pitti-Sing and Peep-Bo Realized Pitti-Sing and Peep-Bo Photo: Embodying my designs for the sassy Pitti-Sing and the adorable Peep-Bo were Colleen Gubbins and Terri Miller. Photo ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333690845-XKZJW6Z3NC5VNVSMSW4N/peep_bo.jpg The Mikado - Peep-Bo (Copy) Peep-Bo Peep-Bo: Ink, Prismacolor Pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333688846-9VE1WZS8CEJNSX8LYF1L/pooh_bah.jpg The Mikado - Pooh-Bah (Copy) Pooh-Bah Pooh-Bah: Ink, Prismacolor Pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333689245-WHNNNXP4XCM0IT28DNT7/pooh_bah_photo.jpg The Mikado - Pooh-Bah Realized (Copy) Pooh-Bah Realized Pooh-Bah Photo: Kenyan grad student Jonathan Awori brought my design for the conniving Pooh-Bah to life. Photo ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333692946-SY9C1OUQTYDYAJ0C9GFX/nanki_poo.jpg The Mikado - Nanki-Poo (Copy) Nanki-Poo Nanki-Poo: Ink, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333693045-HZJJMDG5K7GBWTZN7R7D/nanki_poo_photo.jpg The Mikado - Nanki-Poo Realized (Copy) Nanki-Poo Realized Nanki-Poo Photo: Dustin Hamilton embodied my costume design for the love-struck Nanki-Poo. As you can see, it was decided to switch the inner and outer tunics around. Photo ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333694646-3DVBE82F3ZYQ5CZ0INFS/yum_yum_wedding.jpg The Mikado - Yum-Yum In Wedding Dress (Copy) Yum-Yum In Wedding Dress Yum-Yum in Wedding Dress: Ink, Prismacolor pencil. ©Kevenn T. Smith 2011 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333695145-BWH52FW0EPIFW88YYW46/yum_yum_wedding_photo.jpg The Mikado - Yum-Yum In Wedding Dress Realized (Copy) Yum-Yum In Wedding Dress Realized Yum-Yum in Wedding Dress Photo: Courtney Rioux poses in my costume design for Yum-Yum’s stunning wedding dress that was worn for the second act of the play. Photo ©Kevenn T. Smith 2011 https://www.kevenn.com/oz-collection daily 0.75 2024-06-21 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333766846-4FPCPHZX46J64ONW5ADY/Tin-Man_Scarecrow_Reading_Web_1.jpg Oz The Heart and Mind of Oz https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333776545-IIYOAPTZ2ADOGG1E81RY/Super_Friends_Oz_Web_2.jpg Oz Super Friends in Oz https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333801147-QK3M1V1FJ6PATR0JIR64/Ascension_Polychrome_Kevenn_Web.jpg Oz The Ascension of Polychrome https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333786545-S64JETMIANME34GVT3PB/Scraps_Dance_Web_1.jpg Oz Nothing Wrong With Singing Silly Songs https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333805846-VTAWR9J2GN9OWR9NI99E/Sleigh_Ride_In_Oz_Web.jpg Oz Sleigh Ride in Oz https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333653846-ZMC457ARPPSQUYUB3SDY/Kevenn+T.+Smith+2011 Oz Emerald City Landscape https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333794645-F5WXBWAFBZBLB55OKWJR/Tik-Tok_Web.jpg Oz Tik-Tok: Robot Army of Oz https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1718333763046-7NVJQT7GRWAZ8FST6HNK/Shh_Santa_Scraps_Web.jpg Oz Shh! 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Photo by Steve Wagner. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/d11210f8-6822-4080-9032-2a5e79eeb4b0/John_1.jpeg Doug is a D-Bag John Busser as Richard Thorndyke. Photo by Steve Wagner. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/64c67340-d005-4d83-bf0e-6f3b83bcc4bb/John-2.jpeg Doug is a D-Bag Emily Pucell as Lorie Richards and John Busser as Richard Thorndyke. Photo by Steve Wagner. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/bb18dfc5-6f92-4b51-b357-776993e4e8e3/Matt_Michael_John-1.jpeg Doug is a D-Bag Matt O'Shea as Doug Pridupaula, Michael Prosen as Wallace Jaspers, John Busser of Richard Thorndyke, Katelyn Cornelius as Rose Steinem, Davis Aguila as Steven Chester-Carlson, and Emily Pucell as Lorie Richards. Photo by Steve Wagner. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/f143c505-5158-4f4d-8f39-4c32558d12ac/Doug_Carrie_Michael-1.jpeg Doug is a D-Bag Doug Kusack as Martins Cameron-Overstreet-Perry-Pitts, Carrie Williams as Monica Russet-Cameron-Overstreet-Perry-Pitts, Michael Prosen as Wallace Jaspers. Photo by Steve Wagner. https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/2366eccc-d96f-445e-9d5a-bdd811a53df3/Cast-1.jpeg Doug is a D-Bag Katelyn Cornelius as Rose Steinem, Davis Aguila as Steven Chester-Carlson, Carrie Williams as Monica Russet-Cameron-Overstreet-Perry-Pitts, Doug Kusak as Martins Cameron-Overstreet-Perry-Pitts, and Matt O'Shea as Doug Pridupaula. Photo by Steve Wagner. https://www.kevenn.com/compass daily 1.0 2024-07-05 https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/0806f57c-4893-4dd8-99c5-191929c3ce1f/Venmo_QR_4.png https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/b09480b0-7566-4985-9cf2-b3ff7ad6e721/PayPal_Button_3.jpg https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/1f6ee830-d648-49a8-a850-a59ce5df4e0d/Bandcamp_Button_1.jpg https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/838ef92c-25bf-4383-afa0-fbcc7796b348/Compass_Cover_1A.jpg Compass My debut EP, Compass, is available for download purchasing at Bandcamp! https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/35517bf3-e2ed-45a7-850e-873b36f77604/Compass_Cover_VioletA.jpg Compass Compass (Violet North Version) at Bandcamp https://images.squarespace-cdn.com/content/v1/666bae8f3dc5d36c5a226c0c/17015e91-8cfd-48aa-bb2a-147b12317d77/Compass_Back_3C.jpg Compass https://www.kevenn.com/contact daily 0.75 2024-07-08